Megan's practice is ambiguous. Her personal experience with her work is open for interpretation and is constantly taking new forms and materials. She has been featured in The New York Times among many other important publications, as well as being included in an art collaboration at the MOMA in New York City. Megan has won first place in competitions spearheaded by the Heckscher Museum of Art, the Long Island Museum, and other organizations.
It seems that today's artists are bombarded with many different ideas and changes happening in the environment. Megan's work comes from her inner gut. She has an innate need to create and embody her thoughts and impulses in physical form.