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THERE ARE NO WORDS…

CHRISTOPHER FLORENTINO “FLORE”

SATURDAY, JULY 3RD - SATURDAY, JULY 17TH

 

The Chase Edwards Gallery presents There Are No Words… a solo presentation by Christopher Florentin “Flore.” Christopher Florentino is a Miami / New York based painter who goes by the name of Flore. Flore has dubbed his aesthetic as “urban cubism,” which channels New York’s unique energies into paintings. New York’s heady blend of sound, color and movement has provided inspiration for generations of artists and musicians. Inspirations range from jazz greats like Charlie Parker, Miles Davis and John Coltrane to the Abstract Expressionists during the 1950s and 1960s, to the vibrant graffiti art scene that flourishes both on the streets and in the galleries. 

Intentionally choosing words that leave room for multiple interpretations, Flore creates space for his viewers to develop their own narratives alongside evoking introspective emotive moments. While exploring those motifs, he showcases his deep influence from the late Keith Haring through graphic and text-heavy pieces that interpret the myriad of experiences and nuances of the world. The show will further delve into his artistry while in tandem deconstructing the way we grow up in America — a concept birthed from being creatively triggered by music, conversation and philosopher Alan Watts.

 
 
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Flore embodies 'the spirit of Keith Haring' and is closely influenced by artists such as Jean Michel Basquiat and George Condo. His work ranges from contemporary art pieces to mid-century modern inspired interior design. 

 
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Flore’s paintings grow intuitively out of the passing thoughts, feelings and experiences competing for attention inside and outside his head. Passages of handwritten text pile up, scrawled within rectangular boxes that bring to mind post-its or stickers. They express names, advertising slogans, personal reminders, television shows, lyrics. Quickly scrawled cartoon eyes expressing surprise, fear or anger peer out in all directions. Flore refers to these as “the monsters inside my mind.” They mingle with multicolored daisies inspired by Warhol and making reference to the artist’s family name. Curling whiplash lines recall the free form arabesques of Jackson Pollock and the quick scrawl of a graffiti artist’s tag.

 
 

Flore’s urban cubism is a synthesis of many influences, past and present. But it is above all a tribute to his native city. He lived away from New York for four years in Winter Haven, Florida, where he resided in a modernist Gene Leedy-designed home. There, surrounded by his art and furniture collection he continued to create his trademark paintings. However, Flore found that he missed the vitality of his native city. Now he is back, ensconced in a studio in the East Village. There he pulls together many different strands of art and life to create work that speaks of existence in a place that is always moving, always changing and always completely alive.

 
 
 
 
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